Valter BresolinCompositeur

Brésil, São Paulo

A propos de l'artiste

Chers amisExcusez moi pour quelques fautes qui j'aurais dan cette biographie. Je m'appelle ValterBresolin né a São Paulo, Brésil. J'ai commencé dans la musique à l'age de 7 ans. Mon premierinstrument etait de l'accordeon mais vraiment je suis tombé passionné surtout pour les classiques etj'ai commencé des lessons au piano a l'age de 14 ans.A l'age de 16 ans était le commencement demon travail et à ce temps lá mes parents n'avait pas de moyens pour payer mes cours.J'ai dévennuprofesseur d'anglais et jái continué toujours avec la musique et au même temps j'ai étudié del'harmonie, contrepoint e fugue avec un compositeur Brésilien, Eduardo Escalante de l'école deCamargo Guarnieri.Dans l'année 1990 j'avais écrit plusieurs compositions pour piano et d'autresinstruments.Je suis autodidacte dans les livres d'orquestration de Sir Walter Piston et traitisesd'orquestration de Rimsky Korsakov, Berlioz-Strauss,etc..Depuis mes septe ans j'ai écrivait plusieurspiéces par l'instruments différants et aussi pour la voix.... (la suite en ligne)

A propos de la pièce

Titre: 23 Pieces for piano of progressive difficulties[Opus 5]

Compositeur: Bresolin, ValterLicence: Valter BresolinEditeur: Bresolin, ValterInstrumentation: Piano seulStyle: Classique

Valter Bresolin sur free-scores.com

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Ajoutée le : 2008-10-26 Dernière mise à jour le : 2008-10-25 20:01:49

q = 90 I - Waltz in C MajorValter Bresolin23 Pieces with progressive difficulties

Piano

p

7

mf p

14

21

f

26

mf

q = 120

Valter BresolinII - March

Piano

mf

41

f

50

mf

58

2

q = 50

III - The elephant goes by.... Valter Bresolin(left hand and F clef practice)

Piano

pp p

75 mf

84 f

93 mf p

99

pp ppp

3

IV - A Music Box Vater Bresolin(right hand and G clef practice)

Piano

p

até o fim

( to the end)

108

113

117

4

q = 80

V - Chinese Dance Valter Bresolin(Working with flat accidentals)

Piano

mf

125

130

134

138

5

q. = 80

VI- The little ballerina Valter Bresolin(Major and minor modes in 6/8)

Piano

mf

146

151

156

161

6

166

170

7

q = 70(Minor mode and double notes on left hand)

Valter BresolinVII - Cradle Song

Piano

p

180

187

194

200

8

q = 90 (bi-tonality)Valter BresolinVIII- The hurdy-gurdy is out of tune

Piano

mf

211

216

221

226

230

9

q = 90

Valter Bresolin(Appoggiature)

IX - The naughty puppy

Piano

mf

240

247

Au

Au

Baw

Aw

-

10

q = 100

X - In the garden Valter Bresolin

Piano

mf

257

262

267

272

11

q. = 80

XI - Roundabout Valter Bresolin

Piano

mf

281

285

289

12

Lento q = 60

Valter BresolinXII - Arabian Song

Piano

p

296

299

302

f

305

mf

3

13

308

p pp

310

muito livre, à vontade(free, at ease)

3 3 3

14

q = 100

Valter BresolinXIII - Morning in the field

Piano

mf

317

322

327

331

15

Lento q = 50

XIV - An African Legend Valter Bresolin

Piano

mf

pp

mf

341 f sfz3

347 p mf mf 3

353 p mf f

359

mf

16

365 poco rall. Tempo primo q =50

p

mf

372 3

378 f mf 3

384 p mf f

388

mf p ff p pp

17

Allegretto q = 100

Valter BresolinXV - Sonatina

Piano

mf

f

398

mf p mf f

405 poco rall. Con moto q = 120

mf f

412 poco rall. Tempo primo q = 100

mf

419

p mf

18

426

f

430 poco rall.

19

Allegretto q = 80

XVI - "Maxixe" dance Valter Bresolinto the Brazilian composer Ciquinha Gonzaga

Piano

mf

438

443

448

453

20

458

464

469

474

479

21

484

488

* Chiquinha Gonzaga (1847-1935), cujo nome completo era Francisca Edwiges Neves Gonzaga foicompositora, maestrina e pianista carioca. Deixou uma obra volumosa e variada com cerca de 2 milcomposições em diversos gêneros: opereta, polca, valsa, tango, lundu, maxixe, chôro, quadrilha,etc..Entre seus vários sucessos, destaca-se a marcha carnavalesca, Ó Abre Alas (1899).

(1899) is still a very popular carnival song

*Chiquinha Gonzaga(1847-1935),whose full name was Francisca Edwiges Neves Gonzaga was

about 2 thousand compositions for different genres:opereta, polka,waltz, tango, lundu, maxixe,

choro, quadrille,etc..Among her several hits, the March for carnival "Ó Abre alas" (Make way)

a composer, maestrina and pianist from Rio (Brazil).She's left a large collection of works with

22

Allegro e = 299

XVII - Caribbean Valter Bresolin

Piano

mf*

The quarter note pulse is iqual in and

495

* A pulsação da colcheia é igual em e

f

497

f

499

501

mf

23

503

505

p

506

ff

sêco

24

Allegretto q = 110

XVIII - Playing the "Passa-anel" Valter Bresolin

Piano

mf

*

516

522

f

mf

p

527

534

f

mf

542

25

548

f

mf

552

f

ff

* "Passa-anel" (Pass-the-ring) is a children's play in which the kids show both hands in a

* Passa-anel é uma brincadeira de roda, na qual, as crianças ficam todas com as mãos postasem forma de concha fechada. Uma criança é escolhida ou sorteada para ser a líder e passarum anel por entre as mãos de uma criança sem que as outras percebam. Então, a líder escolheuma criança da roda - que òbviamente não está com o anel - e pede a ela que adivinhe com quem está o anel. Se acertar, passa a ser a líder e, conseqüentemente, passará o anel.A líder perderá a vez quando uma outra criança acertar com quem está o anel.

another child's hands making sure that the other kids don't notice it. Then, the leader chooses

another child. The leader will lose her turn when another kid guesses who has the ring.

another child - who obviously does not have the ring- and asks her to guess who's got the ring

closed shell form. One child is chosen to be the leader and to try to pass a ring through

If the kid guesses it right, she becomes the leader, and consequently will pass the ring on to

26

Allegretto q = 100

XIX - Jumping rope Valter Bresolin

Piano

p mf

561

f

567

mf p

f

573

mf

579

f p

mf

27

583

p

mf

589

f

596

mf f

601

mf

Rall............

604

pp

28

("A round dance for computer")Valter BresolinXX- The rose and the carnation fight

Piano

p

mf

*

the theme is ternary

.Here, however the theme is binary

614

In the popular round songbecause of the left-hand articulation in 2/4.

f

621

p

628

mf *

635

* N.B. Na melodia da Ciranda popular, o Tema é ternário. Aqui ele é binário por causa da mão esquerda que se articula em 2/4.

29

642

f

649

mf

f

656

30

q = 60

XXI - Saint Cecille's Chant Valter Bresolin

Piano

m.e.

Considerar somente os acidentes escritos ou dentro do mesmo compasso

m.e

(simile)

imitar a harpa

666

m.d.

imitar som de órgão

670

674

m.e

m.e.

m.e.

m.e.

678

m.e.

m.e

harpa

31

684

689

m.d.

tempo livre

m.e.

3 3 3 O vocalise de Sta. Cecília

692

697

32

700

3

*This piece represents a mysthical evocation of Saint Cecille, singing accompanied by harp and

and organ played by Angels.

Esta peça representa uma evocação mística de Santa Cecília, cantando acompanhadade harpa e órgão tocados por anjos.

3

33

Moderato q = 100 Valter BresolinXXII - Waltz Serenade

Piano

mf

707

p

mf

712 poco rall.

f

A tempo q = 100717

p

mf

722

p

mf

34

727

p

mf

732

f

737 rall. A tempo q = 120

f

p

742

mf

747

p

35

752

mf

757 poco rall.

A tempo q = 100

p

mf

762

f mf

767

f

770 poco rall. rall.

m.d.

m.e.

p

pp

36

Andante q = 55

Valter BresolinXXIII - Cantilena

Piano

p

mf

777 poco rall.

f mf

p

3 3780

f

783 q = 65

p

p

3 3786

mf

f

37

789

mf

f

poco rall.792 Tempo primo q = 55

p

795

mf

798

f

mf p

38

poco rall.801

Maestoso q = 60

mf

3804

f

mf

807

f

ff

3

stringendo811

p

pp

misterioso

815

mf

f

39

818

f

821

p

825

rall.

pp

ppp

40