Communiqué No. 85 December 2010

Communiqué No. 85 December 2010Author(s): Tilman Seebass, Dorothea Baumann, Stephanus Muller, Vera Nilova, Roman Hankein,Aníbal E. Cetrangolo, Nicoletta Guidobaldi, Emile Wennekes, Olga Digonskaya, PaulineFairclough, Natalia Braginskaya, Valérie Dufour and John GriffithsSource: Acta Musicologica, Vol. 82, Fasc. 2 (2010), pp. 1-15Published by: International Musicological SocietyStable URL: http://www.jstor.org/stable/23075173 .

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International Musicological Society Internationale Gesellschaft für Musikwissenschaft Sociedad Internacional de Musicología Società Intemazionale di Musicologia Société Internationale de Musicologie

Communiqué No. 85

December 2010

With Additions and Corrections

to the Membership Directory

Communiqué No. 85

December 2010



International Musicological Society Internationale Gesellschaft für Musikwissenschaft Sociedad Internacional de Musicología Società Internazionale di Musicologia Société Internationale de Musicologie

Directorium

President: Tilman Seebass (AT)

Vice-Presidents: Malena Kuss (US); Catherine Massip (FR)

Secretary General: Dorothea Baumann (CH)

Treasurer: Madeleine Regli (CH)

Last President: David Fallows (GB)

Past Presidents: László Somfai (HU), Christoph-Hellmut Mahling (DE),

Ivan Supicic (HR), Ludwig Finscher (DE)

Directors-at-Large

2007-2012

Manuel Carlos De Brito (PT), László Dobszay (HU), Dinko Fabris (IT), Philip Gossett (US),

Barbara Haggh-Huglo (US), Ryuichi Higuchi (JP), Ulrich Konrad (DE), Herbert Schneider (DE),

Rudolf Rasch (NL), Julian Rushton (GB), Alvaro Torrente (ES), Henri Vanhulst (BE),

Michael Walter (AT), Chris Walton (ZA), Joseph Willimann (CH)

Advisory member: Liudmila Kovnatskaya (RF)

http://www. ims-online. ch

Secretary General: Dorothea Baumann, Nadelstr. 60, CH-8706 Feldmeilen (Switzerland) e-mail: <[email protected]>, FAX+41-44-923 10 27

Treasurer : IMS, Madeleine Regli, POB 1561, CH-4001 Basel (Switzerland) e-mail: <[email protected]>, FAX +41-61-601 75 73

New Editor of Acta Musicologica: Federico Celestini, Kunstuniversität Graz, Leonhardstr. 15

AT-8010 Graz (Austria), e-mail: <[email protected]>, with Philip V. Bohlman,

University of Chicago, Dpt. of Music, 1010 East, 59th Street, Chicago IL 60637 (USA).

m



International Musicological Society

Communiqué No. 85

Message from the President

Dear Fellow Members of IMS,

There were several tasks this year that required our attention. The policy decisions made

by the Directorium in 2009 in Amsterdam had to be implemented. The planning of the congress in 2012 entered a concrete phase with Fabrizio Della Seta activating the Program Committee,

and Annalisa Bini putting up the framework for the local arrangements. At the meeting of the

Directorium in May we elected a new editor for Acta Musicologica, Federico Celestini. Thanks

to the advance preparation of the next fascicles by the present editors, Philippe Vendrix and

Alexander Rehding, the transition in the editorial office promises to be very smooth. Based on

a most productive exchange of ideas with the outgoing editors, the Directorium confirmed that

Acta Musicologica must continue to adhere to three principles, notwithstanding the fact that

they are notoriously difficult to reconcile. 1st, it should aspire to and maintain the highest standards in musicology tout court; 2nd, it should reflect as much as possible the many fields

and diverse methods of our discipline; 3rd, it should be a forum, where North and South, East

and West all have a voice. Your representatives also advocated that Acta, as a humanistic

periodical, remain multilingual and peer-reviewed. In order to be able to adjust to the problems and needs of our time, the new editor decided to abolish the system of an advisory board and

work with an editorial committee instead.

All of us regretted that, in 2007, the South African Society for Research in Music

(SASRIM) had to withdraw its support for holding the IMS World Congress in South-Africa, and

I was therefore eager to assist It in realizing the original idea in a new, adequate context. As an

IMS Regional Association of Musicologists in Southern Africa SASRIM organized a very suc

cessful international congress at the Stellenbosch University, August 21-23, 2010.

Two other regions are also active: one brings together our colleagues in the Eastern

Slavic Countries Russia, Ukraine, and Byelorussia. After meetings in Petersburg, Kiev, and

Minsk, the next one is planned for the summer 2011 in Petrozavodsk (Karelia); a call for papers will be published shortly. In the same year, the Aristotle University in Thessaloniki is organizing the fourth Regional Conference of the countries involved in the study of the music in the

Balkans (after conferences in Durrës, Brzko, and Belgrade), it will be held jointly with a meeting of the Directorium. This meeting will be of some importance, because the Directorium will elect

from among its members the next president of IMS who will succeed me in Rome 2012.

As to the activities of the Study Groups, I refer you to the individual reports in this

Communiqué. I hope to see many of you at the forthcoming meetings of Study Groups or Regional

Associations. It is exciting to see major and minor activities of our Society spread in a number

of new countries!

I wish you a happy New Year with personal and professional fulfillment.

Sincerely, Tilman Seebass, President

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Information from the desk of the Secretary General

Publications of the Society in 2010. Acta Musicologica 82 (2010) l/ll; Communiqué 85

(December 2010, mailed in January 2011, with corrections and additions to the membership

Directory). All Communiqués are published on the society's website

Membership. On 15 November 2010, IMS counted 1017 members from 48 countries. Since

December 2009 52 new members joined the society. A full list of members is available on the

IMS website via "Member login". Only members in good standing have access.

2012 will be a Congress year with elections. Therefore the next Communiqué at the end of

2011 will contain a membership directory grouped by countries. If a country has more than 30

members or more than 100 members, a ballot for the proposal of candidates as representatives for this country will be mailed to the members of that country at the beginning of 2012. The

complete rules for election are given in the statutes available on the IMS website -> about IMS,

III,3.

Outreach fund: In order to support members whose papers have been accepted and reside in

countries with soft currencies, IMS again launches an appeal for donations (see separate line

on the application for membership form at the end of this communiqué and on the next invoice). Contributions must be marked "IMS Outreach Fund" and can be sent together with payment of

your membership fee, or separately to any of the IMS accounts.

New Editor of Acta Musicologica

The IMS journal appears twice annually and is published by Baerenreiter Verlag in Kassel

(Germany). Number 2, 2010 will be the last issue edited by Philippe Vendrix (Centre d'Études

Supérieures de la Renaissance, Tours), editor of Acta Musicologica since 2000, and, since

2007, together with Alexander Rehding (Harvard University, Cambridge, MA). This is the

moment to express our warmest thanks to the editors for their extraordinary commitment and

excellent work over all these years. We also thank Vincent Besson for his elegant layout and

smooth collaboration and we are pleased to announce that he will continue to take care of Acta.

The new editor, Federico Celestini (Kunstuniversität Graz), with Philip V. Bohlman (University of Chicago), will begin with Number 1, 2011, Articles are accepted in the five official languages

of the Society, namely English, French, German, Italian, and Spanish at

<acta.musicologica@ims-online. ch >.

Dorothea Baumann, Secretary General

Stellenbosch 2010

IMS Regional Conference held in conjunction with the South African Society for Research in

Music (SASRIM), Department of Music, Echoes of Empires: Musical Encounters after

Hegemony, University of Stellenbosch, South Africa, 14-17 July 2010

Report by Chair of the Local Organizing Committee

The South African Society for Research in Music (SASRIM) is an amalgam of the former

Musicological Society of Southern Africa and the Ethnomusicology Symposium. Since 2006, the South African scholars belonging to these two organizations have joined in a single

professional body dedicated to music research across disciplinary divides in the country. As a

result, SASRIM conferences are as a rule quite diverse with regard to topics presented,

4



methodologies employed, and musical interests pursued. If this means that these annual

gatherings lack the capacity to probe intensively particular disciplinary and methodological issues, this is balanced by a level of post-disciplinarity that represents something very uniquely South African.

As a result of this dynamic, which is naturally also politically informed, SASRIM conferences are structured in a certain way. This combined IMS/SASRIM conference was no different. The traditions of the two founding organizations were perhaps best shown in the two concerts

presented during the conference. The South African-born concert pianist Daniel-Ben Pienaar, who is also a piano professor at the Royal Academy of Music in London, played an outstanding concert of late music (Bach, Chopin, Schubert) on the same day that he gave an invited talk on the crisis of lateness in pianism. It was an exceptional occasion, with the Fismer Hall booked out with an audience who hadn't heard Pienaar play in South Africa since he was a boy. The

previous evening, the jamboree that had become a traditional offering of the Ethnomusicology Symposium under the stewardship of Andrew Tracey, took place in the Behrens Foyer. Organized by Ncebakazi Mnukwana, the jamboree included a local choir, a jazz duo, an

opera/pop fusion ensemble, and a Cuban band. A wine tasting of Stellenbosch University wines

accompanied this more informal occasion, which ended with students and conference-goers dancing and enjoying themselves thoroughly.

The programme of the conference was structured in such a way so as not to encourage disciplinary tribalization. In all there were thirty papers, five round table discussions, two invited

speakers, and two concerts. Although the turn-out was relatively low for an annual SASRIM conference -

approximately sixty people attended, international presenters included - the sessions were well attended, and, with one or two cancellations, we managed mostly to avoid

parallel sessions. Ryland Fisher, who was the other invited speaker, spoke on community music. This was a meaningful step for SASRIM towards discursively engaging members of civil

society (he is a former editor of the Cape Times and Director of the Cape Festival). The

composers' panel, sponsored by SAMRO, was a huge coup, with Louis Moholo, Zim

Ngqawana, and Tete Mbambisa, all three sharing a stage for the first time thanks to Jonathan Eato of York University in the United Kingdom. Award-winning filmmaker Aryan Kaganof came to film the historic event and a documentary has being made of the discussion. The hall was

packed again, and Chimurenga Magazine phoned to ask if they could come to exhibit their radical publications.

The round tables were generally very successful, with the one led by Chris Ballantine on the state of the discipline already being transcribed for publication. The round table on Community Music, chaired by Ncebakazi Mnukwana, was also particularly informative.

Organizationally the conference went extremely well, thanks to the hard work of Hilde Roos, Annemie Stimie, Santie de Jongh, Beulah Gericke, and Ncebakazi Mnukwana. The Local

Organizing Committee was also substantially assisted by Stellenbosch University students

Kerry Pierce and Etienne Viviers, and by support staff from the Department of Music, especially Karen Valentine, Trevor van Rensburg and Nicky Fransman. Sessions started on time, there was no significant failure of infrastructure or technological support, logistics went as planned, the catering was excellent, and various South African delegates remarked that this was the best local conference since the inception of SASRIM in 2006. All the sessions were chaired by students, who also made up an encouraging percentage of participants to the conference. The

University of Stellenbosch generously subsidized much of the conference, with funds being awarded from the Vice-Rector (Community Interaction) for the jamboree, and substantial

funding allocated by the Chair of the Department of Music, Prof. Winfried Lüdemann.

Stephanus Muller, University of Stellenbosch

September 2010

5



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Rome, 1-7 July, 2012: Musics, Cultures, Identities

Call for papers - deadline: 31 March, 2011 :

The 19th International Congress of the IMS will be held in Rome from Sunday, 1 July, to

Saturday, 7 July, 2012 at the Auditorium Parco della Musica in Rome. Chair of the Local

Organization Committee: Annalisa Bini (Accademia di Santa Cecilia), Chair of the Program Committee: Fabrizio Della Seta (Università degli Studi di Pavia, Cremona). The full Call for

papers (in English, French, German, Italian and Spanish), including further details on sub

missions, as well as more information on the Congress, is available at the website of IMS

www.ims-online.ch, and more details at the conference website: www.ims2012.net. All

musicologists are invited (including non-members of IMS) to participate and contribute to the

conference.

Proposals are to be written in any of the five official languages of the Society and submitted

electronically by email only as an attachment in Microsoft Word [*.doc] or Rich Text Format

[*.rtf]) to the new e-mail address <[email protected]> not later than 31 March, 2011.

Thessaloniki, 6-10 June, 2011: Crossroads: Greece as an intercultural pole of musical thought and creativity

Call for Papers - deadline: 31 January, 2011:

The Department of Music Studies, of the Aristotle University of Thessaloniki (Thermi Campus) in collaboration with the IMS Regional Association for the Study of Music on the Balkans

organizes this conference on the occasion of the annual meeting of the Directorium of IMS.

The purpose of the International Musicological Conference is to bring together Greek and

foreign musicologists and ethnomusicologists, researchers and students of ancient Greek

music, music iconography, Byzantine music, as well as Greek and Balkan music in modern

times. All theoretical and methodological means documenting to cross-cultural interactions

of the Mediterranean and Balkan people and/or examining the role of ancient Greek civilization

to the conceptualization and creation of European music tradition are welcomed. The twofold

approach of the conference is pertaining to both the importance of musical interactions among the countries surrounding the Mediterranean Sea and the Balkans, and the imprint of ancient

Greek music in Western-European musical tradition.

Proposals may address (but do not need to be limited to) the following categories: 1) Music Ico

nography, 2) Ancient Greek music, 3) Byzantine and post-Byzantine music (palaeo

graphy, performance practice and didactics; history and historiography of Byzantine music and

hymnography; secular music and Byzantine musical instruments; interactions of Byzantine music with other music cultures; current research programs and instrumenta studiorum), 4)

Ethnomusicology (Greek folk music, folk and popular music of the Balkans, the Medi

terranean and Arab countries), 5) Art music in Greece (historiography, perception and

research on Greek art music; Greek musical avant-garde), 5) Ancient Greek mythology

(stage music for ancient Greek drama in Western culture), 6) Concepts of music theory from

Greek antiquity to the present, 7) Current musicology in Greece.

6



A List of equipment required for the presentation (piano, CD player, computer, projector and

screen) will be provided to accompany proposals. The proceedings of the conference will be

published by the Department of Music Studies, Aristotle University of Thessaloniki.

Official languages of the conference are English, German and Greek. Proposals are invited for

either 20 minutes papers, 10 minutes Posters, or Panels of up to four presentations. Abstracts of

20 minutes papers should not exceed 300 words. Abstracts of posters should not exceed 100 words. Panel proposals should contain the description of the panel's subject (no more than 100

words) and an abstract (no more than 300 words) for each paper included in the panel. Approved papers should be sent for publication no later than April 15, 2011 (approved papers in a language other than English, must also be submitted in english translation in no more than 2500 words).

Participants should register for the conference no later than April 30, 2011. Conference fee: 70 Euros (30 Euros for students, including Ph.D. candidates). Further instructions and details will be posted on the webpage of the Department of Music Studies,Aristotle University of Thessaloniki at http://info.mus.auth.gr . Proposals and short biographical notes should be sent by January 31, 2010 to one of the following members of the program committee:

Evi Nika-Sampson <[email protected]> Maria Alexandru <[email protected]> Giorgios Sakallieros <[email protected]>

Regional Associations

Call for Papers Eastern Slavic Regional Association - deadline 10 May, 2011:

Symposium The North in Traditional Cultures and Professional Composing Schools organized by the Eastern Slavic Regional Association, September 1-7, 2011 in Petrozavodsk on lake

Ladoga in Karelia. Please send paper proposals with an abstract of 350 words to Vera Nilova

<[email protected]> not later than 10 May, 2011. Accepted papers have to be received by 1

June, 2011 in order to be translated into Russian. Details of the program will follow on the IMS

homepage.

Vera Nilova, Department of Music History, Petrozavodsk State Conservatory n.a. Glazunov Chair of the Organizing Committee

Study Group Reports

IMS Study Group Cantus Planus

Chair: Prof. Dr. Roman Hankeln, Norwegian University of Science and Technology, Dragvoll, Dept.of History and Classical Studies, NO-7491 Trondheim, NORWAY, <[email protected]>, <[email protected]> . Advisory Board: Nicolas Bell, James Borders, Christelle

Cazaux-Kowalski, Zsuzsa Czagány, Debra Lacoste, Christian Troelsgaard. Dr. Jeremy Llewellyn (Basel) since spring 2010. Website: Dr. Robert Klugseder www.cantusplanus.org -

links to the projects, publications, and websites of Study Group members.

The Study Group 'Cantus Planus' was founded in response to an initiative of the Directorium of the International Musicological Society. It meets both at the international Congresses of the IMS and independently in the intervening period. Its Chair reports on its activities to the Directorium. Helmut Hucke, David Hiley, Ruth Steiner, and Charles Atkinson have chaired the

Study Group. Barbara Haggh-Huglo has been Interim Chair since 2005 and Chair from 2006

7



2010. New chair, since April 2010, is Roman Hankeln (NTNU, Trondheim, Norway). The

principal aim of the Study Group "Cantus Planus" is to cooperate in the scholarly investigation of the chant traditions of Eastern and Western Christendom, by holding conferences, publishing

proceedings, and by collaborating on joint projects.

The principal aim of the Study Group "Cantus Planus" is to cooperate in the scholarly in

vestigation of the chant traditions of Eastern and Western Christendom by holding conferences,

publishing proceedings, and by collaborating on joint projects.

The sixteenth meeting of the Study Group will take place at the Kardinal-König-Haus in Vienna,

Austria, from 21 to 27 August, 2011. Its seventeenth meeting will be held in conjunction with the

nineteenth international Congress of the IMS in Rome, 2012.

Annual Report 2010

Ungefähr 250 Wissenschaftlerinnen sind derzeit mit der Gruppe assoziiert. Der Zuwachs an

jungen Mitgliedern ist konstant geblieben. Die Forschungsgruppe befindet sich derzeit in einer

Umbruchphase. Die Mitglieder der Gründungsgeneration gehen nach und nach in den

Ruhestand und ihre Schüler müssen nun die Cantus Planus-Idee weitertragen.

Meine Absicht ist, die Kontinuität der Gruppe zu wahren, sie gleichzeitig aber auch für neuere

wissenschaftliche Trends zu öffnen, und sie näher an interdisziplinäre Fragestellungen heran

zuführen. Dazu wurden die Call for proposals für die beiden nächsten größeren Konferenzen

der Gruppe in Wien (2011) und im Zusammenhang der IMS-Tagung in Rom (2012) genutzt. Sie akzentuieren die Rolle des Chorals im Rahmen geistesgeschichtlicher Fragestellungen, um

Antworten auf jüngere akademische Fragestellungen zu provozieren.

Die Vorbereitung für die Tagung in Wien ist nun in vollem Gang. Wir erwarten ca. 100 Beiträge. Ein Rückgang des Interesses an der Cantus Planus-Gruppe und ihrem Angebot ist damit nicht zu verzeichnen.

Trondheim, 28.Oktober 2010, Roman Hankeln, chair

IMS Study Group on Musical Data and Computer Applications

Anyone wishing to join the IMS Study Group on Musical Data and Computer Applications (in

Musicoogy) should contact Frans Wiering <[email protected]> or Eleanor Selfridge-Field

<[email protected]>.

IMS Study Group Seventeenth-Century Venetian Opera, especially Cavalli

Board of Directors: Ellen Rosand, Yale University (President), <[email protected]>, Dinko

Fabris, Università della Basilicata-Casa Piccinni, Bari I, <[email protected]>, and Alvaro Torrente,

Universidad Complutense, Madrid, <[email protected]>. For a list of participants, candidates for membership in the Study Group, the list of volumes and editors of the Cavalli

Baerenreiter Series and more news go to http://www.ims-online -> Study Groups.

IMS Study Group Rapporti Italo Ibero Americani. Il Teatro Musicale (RIIA)

Chair: Aníbal E. Cetrangolo <[email protected]>

Annual Report 2010

The RIIA Study Group is focussing on coordinating methods and objectives to further its aims

at the next meeting during the IMS congress in Rome 2012. RIIA is seeking travel support for

Latin American musicologists and students who will participate in the Rome congress.

8



Main activities of local groups

Argentina: Research program on music and general cultural aspects of the migrations with the

Universidad Nacional de San Martin, Buenos Aires (UNSAM) and the Centro de Estudios

Migratorios Latinoamericanos (CEMLA). Seminars in Music (A. Cetrangolo), History (A.

Bernasconi), Cinema (H. Kohen), and Visual Arts (L. Malossetti) from July 2010 to April 2011.

Preparation of a master program in Artistic Migrations at the Universidad de San Martin.

2010-2011 in collaboration with the Italian RNA group digitalization and DVD publication of El

Mundo del Arte (1891-1892), Biblioteca Nacional. Facsimile edition by RNA in collaboration with the Universidad de San Martín of La Gaceta Musical de Buenos Aires (founded 1874, directed

by Julio Núñez, music critic; pictures of singers, composers; first publication of its genre in South America) from the Biblioteca Nacional de Buenos Aires and the Archivo del Teatro Colón or photographic copies at the IMLA if the series 1884-1887 really has been lost in 2003 during the renovation of the theater.

In collaboration with the Italian RIIA group digitalization of La Patria degli Italiani (one of the most important publications of the Italian communities abroad issued in Buenos Aires in Italian). The Italian group has so far accomplished this task with the years 1880-83, working at the Biblioteca Nacional de Buenos Aires in collaboration with CEMLA at Buenos Aires (Alicia Bernasconi). Demetrio Pala, who is in charge of coordinating the RIIA-IMLA database, will write his master thesis on this subject.

Uruguay: With the Centro de Investigación, Documentación y Difusión de las Artes Escénicas

(CIDDAE, founded in 2004 with the re-opening of the Solis Theater in Montevideo), the Universidad de la República, and the Escuela Universitaria de Música (dir. Marita Fornaro, coordinator RIIA network Uruguay) research on the productions at the theatre and musical life in Montevideo. Exhibition with iconographie materials from the Teatro Larrañaga, Montevideo, restored by the Universidad de la República (Salto, September 2010).

In collaboration with the Italian RIIA group ongoing database project (information on the activity of the Solis Theatre between 1880 and 1920) based on Susana Salgado's The Teatro Solis: 150 years of Opera. Concert, and Ballet in Montevideo, Wesleyan Univ. Press, Middle

town, Conn. 2003. DVD publication in May 2010 with iconographie materials and studies by Marita Fornaro, Laura Malosetti, Aníbal Cetrangolo, Demetrio Pala. This group includes

teachers and students of The Ca' Foscari University of Venice (Federica Zagatti, Alberto

Coattin, Jaime Perez Solera, Federico Spolaor, Demetrio Pala, Luca Ceolin, Aníbal

Cetrangolo).

Brasil: Congress A atualidade da ópera, Simposio Internacional de Musicologia, Universidade

Federai de Rio do Janeiro (9 - 3 August, 2010), organized by Maria Alicia Volpe with Brazilian

and international specialists in the history of opera, such as Ph. Gossett, B. Walton and B.

Cranmer. Dionisio Neto Machado (Universidade de Säo Paolo) and other Brazilian colleagues aim to establish a Brazilian branch of RIIA.

Padova: Organization of a master's degree program at the Università di Padova, beginning on 14 January 2011 with a seminary by Antonella Cancellier (Università di Padova).

Other academic and institutional meetings

Spring 2010, Various meetings in Buenos Aires: Visit of Prof. Stefano Gasparri, Vice-Rector of the Università Ca' Foscari di Venezia. Plans of exchange for visiting professors between the two Universities of Ca' Foscari, Venezia, and UNSAM are formalized.

May 26, 2010, Venice, Università Ca' Foscari, RIIA database, demonstration and public report, Prof. Anibal E. Cetrangolo and Prof. Veniero Rizzardi.

Fall 2010, Buenos Aires, Project for the celebration of the German-Argentinian composer Mauricio Kagel, seminar held by Veniero Rizzardi in order to prepare a festival in Buenos Aires in 2011.

9



RIIA Website: Demetrio Pala, Savino Cancellara, Roberta Noviello (University Ca' Foscari,

Venice).: http://venus.unive.it/imla/SITOIT/EMHM.html

Aníbal E. Cetrangolo, chair

IMS Study Group Musical Iconography in European Art

Chair: Nicoletta Guidobaldi, Ravenna, <[email protected]>, Steering committee:

Nicoletta Guidobaldi (Bologna-Ravenna/Tours), Björn Tammen (Vienna), Alexandra Voutyra

(Thessalonica), website: http://www.benlculturali.unibo.it.

The Study Group currently has 74 members from 12 countries. The Study Group supports research projects, exhibitions, publications, and coordinates the updating of an international

bibliographic network (available as a common resource on its website); the Study Group is

engaged in university courses and seminars.

Two main events took place in 2010. Musicians & Monuments: Tracing Composers' Memorial

Iconography through the Ages (Vienna, 15-17 April 2010, in cooperation with the Austrian

Academy of Sciences), organized by Björn R. Tammen; and Musical Iconography in the

Mediterranean and its Impact on European Culture through History, organized by Jordi

Ballester, in cooperation with the Universität Autònoma de Barcelona and Societat Catalana de

Musicologia (Barcelona, 4-6 October 2010). Both were very successful, with 40-50 participants that included scholars and doctoral students from Austria, Canada, France, Germany, Italy,

Malta, Portugal, Poland, Spain, Switzerland, the United Kingdom, and the United States. In

2010 a week-long summer school on musical iconography, Musical Iconography Lab: New

Trends - New Knowledge - New Learning, coordinated by Luzia Rocha and Luís Sousa in

cooperation with Universidade Nova de Lisboa, Centro de Estudos de Sociologia e Estética

Musical, took place in Lisbon (12-16 July 2010).

Further plans are going forward with the international conference devoted to The Courts in

Europe: Musical Iconography and Princely Power, organized by Alberto Basso and Cristina

Santarelli, in cooperation with the Istituto per i Beni Musicali in Piemonte and Archivio di Stato

di Torino (Torino, 23-25 May 2011 ).

Nicoletta Guidobaldi, chair

IMS Study Group Music and Cultural Studies / Musik und Kulturwissenschaft

Chair: Tatjana Markovic ([email protected])

IMS Study Group Music Research and eLearning (MÜREL)

Chair: Martina Claus-Bachmann, <[email protected]>, website:

http://www. kuveni. de/murel/schedule.htm.

IMS Study Group Music and Media (MaM)

Chair: Emile Wennekes, <[email protected]>, website:

http://www. wwclassicsonline. com/mam.html.

10



Annual Report 2010

June 25-27, 2010: three day conference of MaM in Berlin, at Humboldt University Program committee included Jin Hyun Kim (TU Berlin/U Cologne), James Deaville (Carleton U, Ottawa), Michael Saffle (Virginia Tech, Blacksburg), Tobias Plebuch (Humboldt U, Berlin) and Emile Wennekes (U Utrecht). 60 registered participants, of whom 14 attended the workshop Multimedia Art and Performance (not counted the five instructors and professional musicians). Three keynote lectures by Helga de la Motte (TU Berlin), Philip Auslander (Georgia Tech), and

Michael Saffle (Virginia Tech) and 23 presentations. The papers were grouped in the sections Virtual Worlds, Performance and Technology, Politics, Film, and Radio and three joint presentations by research groups from Belgium, Italy and Berlin/Potsdam. The speakers came from Belgium, Canada, France, Germany, Italy, the Netherlands, Northern Ireland, England, and the USA. The meeting was funded by the DFG, the European Network for Musicological Research and the Humboldt-Universitäts-Gesellschaft. The final version of the conference schedule with details is published on the IMS website.

Emile Wennekes, chair

IMS Study Group Shostakovich and his Epoch: Contemporaries, Culture and the State

Chair: Dr. Olga Digonskaya (Moscow), Dr. Pauline Fairclough (Bristol)

Annual Report 2010

During the last year, the papers from our inaugural session in Minsk (2009) were published in the collection of papers from the conference Modern Musicology in the World of Science. Scientific Articles of Belarusian State Academy of Music, Issue 23, ed. by Katerina Doulova, Minsk 2010, p. 265-349 (ISBN 978-985-6837-65-7).

Plans are under way for our forthcoming conference in the Conservatoire in Petrozavodsk, from 31 August to 7 September 2011. Speakers are already selected and will include Simon Morrison (Princeton), Laurel Fay (New York), Olga Digonskaya (Moscow), Pauline Fairclough (Bristol), Marina Frolova-Walker (Cambridge), Liudmila Kovnatskaya (St Petersburg), Lidia Ader (St Petersburg), and Dorothea Redepenning (Heidelberg). The conference will be

attended by the Honorable President of the Study Group, Irina Antonovna Shostakovich.

Members of the Study Group will have a preliminary meeting at the Durham conference on Russian and Soviet Music: Reappraisal and Rediscovery, University of Durham, July 2011. We are also making preliminary plans for our session at the IMS Congress in Rome 2012.

Olga Digonskaya (Moscow) and Pauline Fairclough (Bristol), Moscow, December 2010

IMS Study Group Stravinsky: between East and West

Chairs: Natalia Braginskaya (St. Petersburg Conservatoire), <[email protected]> and Valérie Dufour (Université Libre de Bruxelles), <[email protected]>.

Annual Report 2010

As planned the study group, which was formed in September 2009, had no meetings last year, but organized other activities.

The papers at the inaugural STG conference during the Second Regional IMS symposium in

Minsk, 2009 (Belarusian state academy of music), were published as Stravinsky: between East and West in the collection of papers from the conference Modern Musicology in the World of Science. Scientific articles of Belarusian state academy of music. Issue 23, ed. by Katerina

Doulova, Minsk 2010, p.192-264 (ISBN 978-985-6837-65-7).

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A part of the Minsk STG session Stravinsky: between East and West was repeated in St.

Petersburg (March 23rd, 2010) to familiarize the Russian audience with the new IMS Study

Group and in order to recruit new members.

The St Petersburg State Conservatoire could establish collaboration with Stephen Walsh

(University of Cardiff), a distinguished expert in Stravinsky these days: in March 2010 Stephen Walsh was officially invited to the St Petersburg Conservatoire, where he lectured, met with

professors and students for conversation and presented his monograph on Stravinsky; a fruitful

international book exchange between music libraries of St. Petersburg Conservatoire and

University of Cardiff took place.

During the last months of 2010 the chairs of the STG Stravinsky began preparing and

scheduling the next STG conference Stravinsky: between East and West to be held on

September 5, 2011 at the Petrozavodsk State Conservatoire n. a. Alexander Glazunov (Karelia,

Russia) in the course of the Third Regional IMS Symposium and at the IMS Congress in Rome,

2012.

Natalia Braginskaya and Valérie Dufour, chairs

New IMS Study Group: Tablature in Western Music

Chair: John Griffiths <[email protected]>.

Following a very successful Round Table Session at the 2009 IMS conference held in

Amsterdam, coordinated by Dinko Fabris and John Griffiths, the panel members and some

other delegates met on 10 July 2009 and drafted a proposal that was subsequently endorsed

by the Directorate to establish a Study Group devoted to music notated and transmitted in

tablature, principally in the 16th-18th centuries. The aims of the group are: to promote, research, exchange ideas and materials pertaining to all aspects of Western music transmitted

in tablature for all instruments. The fundamental areas that the Study Group will address

concern i) tablature sources; 2) problems of editing and editorial techniques; 3) performance

practice; 4) intabulated music and the musical mainstream; 5) the role of music transmitted in

tablature in the broader social history of music. The initial membership of the groups comprises John Griffiths (chair), Tim Crawford and Franco Pavan (deputy chairs), Dinko Fabris, Arthur

Ness, John Robinson, Reinierde Valk.

It is proposed to convene a full meeting of the Study Group in Spain in 2011 within another

international lute festival proposed by the Sociedad de la Vihuela, Laúd y Guitarra.

1 October, 2010, John Griffiths, chair

Study Groups reports are published on the IMS website at http://www.ims-online/ study

groups whenever they are submitted to the Secretary General.

Please, inform the Secretary General of any change of address

and send your e-mail to [email protected] or enter your new address

on the website http://www.ims-onllne.ch via 'member login'.

For a full membership list see IMS website -> http://www.ims-online.ch member login



Membership Directory: Corrections and Additions 2010

Academia Scientific Book Inc., Shichi Bldg 2-10-15 Kasuga / Bunkyo-ku, JP-112-0003 Tokyo [email protected] Addessi Anna Rita Dr., University of Bologna Dept. of Music Via Barbería 4, IT-40124 Bologna [email protected] Alamire Foundation VZW, Research Unit Musicology Central Library Mgr. Ladeuzeplein 21/Postbus 5591, BE-3000 Leuven - [email protected] Arom Simha, 12, rue Ernest Psichari, FR-75007 Paris - [email protected] Bain Jennifer Ass.Prof., Dalhousie University, 6101 Univesity Ave, CA-B3H 4R2 Halifax, NS - [email protected] Batoff Melanie, 19333 nVan aken Blvd, #406, US-44122 Shaker Heights, Ohio - [email protected] Bernardes Julia-Miguel R., 122 Oaktree Place, US-Leonia, NJ [email protected] Bimberg C. Guido V. Prof.Dr., c/o M.R.I. Inc.Postfach 550133, DE-44209 Dortmund - [email protected] Bohlman Philip Prof., University of Chicago Dept. of Music 1010 East, 59th Street, US-Chicago, IL 60637 [email protected] Borghetto Gabriella Dr.,Via Della Chiesa Generale Carlo Albero 135, IT-41126 Modena (MO) Botha Henry, University of Fort Hare, P.O. Box 2995, ZA-5205 Beacon Bay - [email protected] C.F. Peters Ltd. & Co. KG, Ed. Peters Group, Kennedy-Allee 101, DE-60596 Frankfurt a/M.

[email protected] Camp Marc-Antoine Dr., Dufourstrasse 42, CH-8702 Zollikon - [email protected] Centenero Gallego Miguel A. Prof.,Calle Desembojo 1-2° A, ES-30009 Murcia - [email protected] Chrltaro Gustavo, Aptp 502 R. Rio de Janeiro, 1010, BR-30160041 Belo Horizonte - [email protected] Colette Marie-Noèlle, 33, avenue de Breteuil, FR-75007 Paris Corrado Omar Dr., Univ. de Buenos Aires, French 3515-PB A, AR-1425 Buenos Aires - [email protected] Cox Gareth Dr., Mary Immaculate College Dept. of Music South Circular Road, IE-Limerick, Rep. of Ireland [email protected] Cummins Linda Ass. Prof., University of Alabama School of Music P.O. Box 870366, US-35487 Tuscaloosa, Alabama - [email protected] Della Seta Fabrizio Prof., Università degli Studi di Pavia, Facoltà di Musicologia, Corso Garibaldi 178, IT-26100 Cremona - [email protected] Deutsches Musikgeschlchtllches Archiv, Heinrich Schütz-Allee 35, DE-34131 Kassel - [email protected] Engels Christoph, 8, rue Saint Jacques, FR-89113 Guerchy - [email protected] Engels Stefan Dr., Georg Rendi Weg 26, AT-5111 Bürmoos Estrada Julio Prof., UNAM Circuito Interior Ciudad Universitaria S/N C.P. 04510, MX-Mexico, DF [email protected] Filler Susan M. Dr., 441 West Barry Ave, Apt. 427, US-Chicago, IL 60657-5531 - [email protected] Frassà Lorenzo Dr.,Via delle ville - trv II- n.73, IT-55100 Lucca - [email protected] Garratt James E. Dr., University of Manchester 21 Vine St., Hazel Grove, UK-Stockport, SK7 4JP

[email protected] Getz Christine Dr., University of Iowa School of Music, Voxman Music Building 315 CC, US-Iowa City, IA 52242 1795 - [email protected] Green Burdette L. Prof., 2085 Cheshire Road, US-Columbus,OH 43221 - green20@osu,edu Guillotel-Nothmann Christophe, Université de Paris-Sorbonne (Paris IV) 32, rue Clew 7, FR-75007 Paris - [email protected] Haggh Huglo Barbara, Wynfield Park Apts # 2409 10103 Baltimore Ave, US-College Park MD 20740

[email protected] Hankeln Roman Prof., Norwegian Univ. of Science & Technology, Dragvoll Dept. of History and Classical Studies, Dragvoll, NO-7491 Trondheim - [email protected] Harvard University, Librarian for Collection Dept. Eda Kuhn, Loeb Musixc Library, US-Cambridge, MA 02138 [email protected] Hertel Carola Dr., 13, rue de Reims, FR-67000 Strasbourg - [email protected] Hungarian Academy of Sciences, Institute of Musicology, Táncsics Mihály u. 7 P.O. Box 28, HU-1250 Budapest - [email protected] Inoue-Arai Satsuki Prof. Dr., 4-34-10-301 Honkomagome Bunkyo-ku, JP-113-0021 Tokyo [email protected] Institut für Musikwissenschaft, Universität Innsbruck, Bibliothek, Karl-Schönherr-Strasse 3, AT-6020 Innsbruck - [email protected] Jacobshagen Arnold Prof., Kleiststrasse 21, DE-50321 Brühl [email protected] Karakelle Sibel, Mehmet Akif Ersoy University , TR-15100 Burdur - [email protected] Kügle Karl Prof. Dr., Universiteit Utrecht Muziekwetenschap Kromme Nieuwegracht 29, NL-3529 HD Utrecht - [email protected] Knust Martin Dr., Musicology Stockholms Universitet Sveavagen 164 Β 3TR, SE-113 46 Stockholm [email protected] Kuss Malena Prof.Dr., P.O. Box 41, US-NewYork, NY [email protected] Legrand Raphaelle Prof., 8, rue Pierre Ginier, FR-75018 Paris - [email protected]

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Liaño Pedreira Dolores, Bibl. de la Dip. Provincial Riego de Agua, 37, ES-15001 La Coruna [email protected] Loya Shay Dr., 3 Windrush Close / Bramley, GB-Guildford, Surrey GU5 OBB - [email protected] McKamie Shirley, Truman State University Music Deptartment 100 E Normal Street, US-63501 Kirksville, Missouri 63501 - [email protected] Maître Claire Dr., IRHT (CNRS) 40, avenue d'Inéa, FR-75116 Paris - [email protected] Marin Lopez Javier Dr., Avenida Madrid 49 5-D, ES-23008 Jaen - [email protected] Meconi Honey Prof., University of Rochester 207 Todd Union, US-Rochester, NY 14627-0052

[email protected] Mundugwao che Che, TAFOMA P.O, Box, TZ-255 Bagomoya/Tansania - [email protected] Musicologica! Society of Japan, Nippon Ongaku Gakkai Seiko Building #201 3-3 lidabashi 3-chome, JP-102-0072 Tokyo - [email protected] Musikwissenschaftliches institut der Universität Tübingen, Schulberg 2, DE-72070 Tübingen [email protected] Musikwissenschaftliches Seminar Universität Heidelberg, Augustinersgasse 7, DE-69117 Heidelberg - sekretariat@[email protected] Ness Arthur J. Ph. D., 2039 Commonwealth Ave, No. 10, US-02135 Boston, MA - [email protected] Oye Deanna, University of Lethbridge Dept. of Music 4401 University Drive, CA-Lethbridge, AL T1K 3M4

[email protected] Pabbruwe Aagje MA, Van der Burchlaan 35, NL-2597 PD Den Haag - [email protected] Parker Craig B. Dr., Dept. of Music, McCain Audit Kansas State University , US-Manhattan, KS 66506-4702 - [email protected] Persone Pedro Dr., Pq. Santa Lucia - Camobi r. 03 (Diamante), 435, BR-97110-070 Santa Maria

[email protected] Pietschmann Klaus Prof. Dr., Johannes Gutenberg Universität Mainz, Musikwissenschaftliches Institut, Jakob Welder-Weg 18, DE-55128 Mainz - [email protected] Rasch Rudolf A. Dr., Riddersborch 25, NL-3992 BG Houten [email protected] RIPM International Center, Attn. Dr. H. Robert Cohen, 3600 Clipper Mill Road, Suite 211, US-Baltimore, Maryland 21211 - [email protected] RISM Zentralredaktion, Int. Quellenlexikon der Musik an der Universitätsbibliothek, Sophienstrasse 26, DE-60487 Frankfurt - [email protected] Ronge Julia, Koehlhoffstrasse 1, DE-50676 Köln - [email protected] Ryan Josie, 7 Eastview Street, AU-NSW 2065 Greenwich [email protected] Scherr (Steger) Suzanne, 1016 North Humphrey Ave, US-Oak Park, IL 60302-1420 - [email protected] Seminane voor Musicologie Universiteit Gent, Blandijnberg 2, BE-9000 Gent - [email protected] Société Belge de Musicologie , 30, rue de la Régence, BE-1000 Bruxelles 2 mal é [email protected] Stigar Petter, Grieg Academy University of Bergen Lars Hilles Gate 3, NO-5015 Bergen [email protected] Strohm Reinhard Prof. em., c/o Modern Language Faculty 41 Wellington Squara, GB-Oxford OX1 2JF [email protected] Tadday Ulrich Prof.Dr., Universität Bremen Gebäude GW2 Enrique-Schmidt Strasse, DE-28359 Bremen

[email protected] The Danish Musicological Society, Arts & Cultural Studies, Musicology,University of Copenhagen, Klerkegade 2, DK-1308 Koebenhavn K- [email protected] Universidad de Oviedo, Dpto Historia y Artes Area Musicologia - Edificio Milán C/Teniente Alfonso Martinez, ES-33011 Oviedo - [email protected] University College Ghent, Dept. Conservatorium, Bibliothek, Hoogpoort 64, BE-9000 Gent

[email protected] University of Calgary, MacKimmie Library, Block Serial Acquisitions 2500 University Drive. NW, CA-Calgary, Alberta T2N 1N4 - [email protected] Universität Salzburg, Musik und Tanzwissenschaften, Zeitschriftenverwaltung, Akademiestrasse 26, AT-5020 Salzburg - [email protected] Välimäki Susanna, Dept. of Musicology Institute for Art Research P.O. Box 35, FI-00014 University of Helsinki

[email protected] Van den Buys Christine Prof., Erasmus Univ. College Brussels Regentschapstraat 30, BE-1000 Bruxelles

[email protected] Voigtmann Kamaikis Helga Evelin Mag,, State Conservatory of Thessaloniki Av. Pavlou 44A, GR-54634 Thessaloniki - [email protected] WADA Chiharu, Makigahara 16-3 Asahi-ku, JP-2410836 Yokohama - [email protected] Wayne State University, Serials Acquisition Dept. Purdy Library 5265 Cass Avenue, US-Detroit, Ml 48202-3939 Wennekes Emile G.J. Prof. Dr., Smeesteeg 4, NL-8081 EN Elburg-Vesting - [email protected] Wiegand Gunnar, Am Bergwerkswald 15, DE-35392 Glessen - [email protected] Wolinski Mary E. Dr., Dept. of Music Western Kentucky University , US-Bowling Green, KY 42101-1029

[email protected] Zychowicz James, 803, E. Gorham Street, US-Madison Wl [email protected]

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Application for Membership to IMS

The undersigned herewith applies for membership in the international Musicological Society.

Annual dues will be:

Type of membership amount in CHF or € or $

Ordinary membership CHF 70.00 Emeritus CHF 50.00 Student' CHF 45.00

Corporate CHF 100.00 Life membership CHF 1'200.00

Sponsored membership** Donation to Outreach fund***

Total

* Student membership is limited up to five years. If you apply for student membership, please send evidence of student status together with this application form. ** Give name and address of beneficiary and your name below. *** In order to support members with accepted papers, coming from countries with soft currencies.

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Send this application by mail to IMS, P.O. Box 1561, CH-4001 Basel or by fax to the treasurer of IMS, Madeleine

Regli (+41 61 601 75 73 or +41 44 923 10 27). Keep a copy for your self!

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Documents

Communiqué No. 85 December 2010