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7/27/2019 Mon Coeur s'Ouvre a Ta Voix - Saint Saens
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ANTHOLOGY S
Celebrated HELENROGERS
HARPIST
Arias, Duets, Trios, Quartets, and Quintets
Selected and Edited by Max Spicker
Ritornodi Columella, i. (1839)
298. Stolto è ben. Valse. Sop.
Robert le Diable, f. (1831)
299. Robert, toi que j'aime, f. i.
300. " " " "
301. Va, va, va, dit-elle. f. g. i.
Roberto d'Evereux. i. (1837)
302. All' afflitto. Sop. or Ten.
V. Fioravanti
40
G. MeyerbeerSop. 60
Alto 60
Sop. 75
G. Donizetti
30
Le Roi de Lahore, f. i. (1877) J. Massenet303. C'est le soir. Duet. Sop. and M.-Sop. 60
304. Promesse de mon avenir. Bar. 35
305- " " " " Ten. 35
Le Roi l'a dit. f. (1873)
306. Déjà les hirondelles. DuetM.-Sop. 50
307. Jacquot courant. Duet. Sop. and Ten. 50
L. DelibesSop. and
Roméo et Juliette, f. (1867) Ch. Gounod308. Ah 1 Je veux vivre, f. i. Waltz Song.M.-Sop. 65
309. Angel che adoro. i. Duet. Sop. andTen. 65
310. Non destarmi. i. Valse-Arietta. Sop. 65
311." " " Alto 65
312. Que fais-tu, blanche tourterelle, f. i.
Sop. 50
313. Que fais-tu, blanche tourterelle, f.. i.
M.-Sop. 50
314. Que fais-tu, blanche tourterelle, f. i.
Alto 50
Samson et Dalila. f. (1877) C Saint-Saëns315. Amour! viens aider. Sop. 50
316. " " " M.-Sop. 50317. Mon cœur s'ouvre à ta voix. Sop. 60
,3l£." " " " " " M.-Sop. 60
319. " " " " " " Alto 60
320. Printemps qui commence. Sop. 50
321. " " " M.-Sop. 50
Sapho. f. (185:)
322. O ma lyre immortelle. Sop.
Ch. Gounod75
La Semiramide. i. (1748) C. W. von Gluck323. Vieni que poi sereno. Sop. 25
324. " " " " Alto 25
Si j'étais Roi. f. (1852) A.Adam325. J'ignore son nom. Ten. or Sop. 35
326. " " " Bar. or Alto 35La Sonnambula. i. (1831) V. Bellini
327. Ah ! non credea. i. f. Sop. 30
328. Ah ! non giunge. i. Sop. 50
329. Andante and Allegro (the two preceding) 65
Tannhàuser. g. (1845) R. Wagner330. Allmàcht'ge Jungfrau. (Elizabeth's
Prayer.) Sop. 35331. Allmàcht'ge Jungfrau. M.-Sop. 35332.
" " Alto 35333. Dich theure Halle. Sop. 60
334- " " " M.-Sop. 60
335. O du mein holder Abendstern. Bar. 50336. " " " " " Bass 50
337-"
" " " " Ten. 50La Traviata. i. (1853) G. Verdi338. Dite alla giovine. Sop. 35
Der Trompeter von Sàkkingen. g. (1884)
V. Nessler339. Es hat nicht sollen sein. Ten. or Sop.
340.'
M.-Sop.
341- " ' Bar.
342. " " " " " Bass
Wilhelm von Oranien. g. (1846)
K. A. F. Eckert343. Wenn ich mit Menschen- und mit
Engelzungen. Sop. 50.
344. Wenn ich mit Menschen- und mit
Engelzungen. M.-Sop. 50Die Zauberflbte. g. (1791) W. A. Mozart
345. In diesen heil'gen Hallen. Bass 35346. O Isis und Osiris. Bass 25
Zemire und Azor. g. (1819) L. Spohr347. Rose, wie bist du so reizend. Ten. 35348. " " " " " " Bar. 35
La Zingara. i. f. (1844) M. W. Balfe349. D'Arlina mi rammenti. i. f. g. Bar. 50350. Tu m'ami, ah si ! Bar. 35
50
50
50
50
OH.r by number of the collection only. All numbers are published with English, in addition to the original text ; i. g. f. stand forItahan, German or French text. The numerals in brackets indicate the year when the opera was first performed.
-^tezsiG. SCHIRMER
25
^ NEW YORK 11
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2 Mon cœur s'ouvre a ta voix.
(MY HEART AT THY SWEET VOICE.)
Cantabile from "Samson et Dalila."
(MEZZO-SOPRANO))Andantino.
C.SAINT- SAENS.
VOICE. %V\\ j
PIANO.
J 1 JmMou cœur s'ouvre
¥ , s.
J7n iich^n
My heart at
^mA 00
%
M !mJ5
tïTt::::
m m• • • •
P*T7 iê MP. ,P
a ta voixthy sweet voice
com-me souSwift un -folds
vrent les
like a
fleurs .
flow . er
9-0
IW33* î» ï
mm 9~¥mA
m 9-9-0 P-»-»-»
rrr
*$wy J) J) &ux bais -ers.
When the dawn.de l'au-ro - re!
first is show - ing".
wmceci HT3i
espr.
m *£&é
">-- .- b. a
T f
m0»0
mtfcfce
I È £fip P^ais, ô
But oh!
mon bien ai- nié
to stop mv tears
7211 r Copyright, 1889, by G. Schirmer^^Q^ g . P c . \£&RV&£'ht, 1911, by G. Schirmer
BRIGHAM YOUNG UNIVERSITY
,
-— PROVO. UTAH
7/27/2019 Mon Coeur s'Ouvre a Ta Voix - Saint Saens
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te i.
^tw crawr.
^W yj mj r rrnir
(1res - se, Ké-ponds a ma ten-dres
woo _ ing", Lis -ten un- to my woo
se!
ing".
Ah!.
Ah_
ver-se
'tis with
g*^§P^ P î i ;w^im •=*
*EM.
cresc
fefcÊ ;=?=feëÊp^: W^f 7
S • •rf//« .
* ^ • d • 1moi
ar
ver- se - moi, li - vres
dor my heart ini - bu
se!
ing"!SAMSOX.
1
*r%~'
? * J* J * f
Da-li - la
#ç£^P^ sri=f
f
s^ J^.î>
•^F ï? 7 *=#=Sj? molto espr
yaprp J2I'
^p
7211
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6
wvoit des blés
cross the field
'
j P r.
les e - pis
Zeph - yrs soft -
? fn - au
lv are
±*
mmse le - ge
ffen- tly sway
"*—re.
inff,
7211
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rinf. poco animato.
7*11
7/27/2019 Mon Coeur s'Ouvre a Ta Voix - Saint Saens
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8
Vl J — >J J» 5spring.
^m %gj
man.
fain Rush
te à
to
1
vo - lor
thy arms
dans tes bras!
at thy sight
papal
5& ^^ ËfeFR TR ¥string.
^S, tp4^ 13 ^^£t #*#"#
cresc.
m ? h j> J? i"{frit.
P> I"> P^ I' •
A vo - 1er dans tes
Rush to thee at thy
bras!,
sight
t^mUn pooo più lento.
^m im BE #H*<» 5*^AhLAhL
re - ponds,
come list
a
to
*à*
SAMSON.
ma.my_
dot.
ten-dres -
fond woo -
se,
ing,
m*^ee f K .
Par mes bai - sers jeveux se
!#^SP^F m à m mKh^
1
^7211
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ife^F h p h i r i<fj
pour mieux se- chermes
Thou hast it in thy
pleurs,
pow - er
Que ta voix_
One word more.
k±^mm
WW WW '' '
ffe ^^ ^^ rt«/-
43 ?parle en - co
love, be-stow
re!
ing".
Dis -
To
pjg /mespr.
m i *
tj-^gg:
¥0-0-0
3^ 0-0-09E E P eas
****I$e » m m
&.P P p
I
'
l
'J S
Ï37 *«
*" *mm,
thy
qua Da - li - la
De - li - lah say
tu re - viens pour
Thou re - turnest for
ja -
al -
2*:Sâ= m m m m m
M.M.â.
\1ttt-
4-*-4-4
*f
3^ %%%%p pp
ïïîmtl
» « » » z wz r-w-
W'-w-'-wws*=*s'
m m. m. m. m.
êrinf.
P P Pi
f '
i
J* Smais,
way!
Re - dis
Re - peat
a ma ten - dres - se Les ser -
thy woo- ing" ten - der, All the
m S M.dâ.M.
fcW~m wzFFFf
9ffl>
a«s 55555S
»-»-*-
Sfci»~»~r
7211
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4
M
siring.
a
ments
vows
string.
d'au - tre fois,
once more tell;
cresc.
*^ ^es ser-meuts que jai -
Those sweetvows loved so
I
H,iiii dHS
* 3=j14 »** i ^-*=-*:
3^33=i^
*~n-«
ibi m é
tt W *^£^ irf r * *
># * *
&^r/ r Unpoco piii lento,
c£ r^w w Bemais!,
well!.
AhL
Ah!.
i*^F^ rTTrllT'
re -
come.
't'gtti^ ^»lfri£
sesgZ£=«3 ;r=F=
* tea
S31, rJ ^ËE t
ponds,
list
a_
to_
nia_
my_
teu - dres
fond woose, Ver
Tis.
se -
with
^ -jjH ' ^ IP# pg^^^^ &Si *
tecresc.
s$e S S ISF» yTH'ZZ
moi,
ar
ver-se - moi.
^^îPÉ
dormy heart.
1'i - vres
- bui
se!
inff!
Réponds a ma ten
Lis-ten un-to my
ï m^ mm i
y^* î^ï rrf
?îW
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1*3ss$m m m f4tJ-d
Ver
Tis
se -
with
moi,
ar
ver-se - moi _durinv heart.
*
l'i -
iin -
vres
bu
se!
ing".
Mftv-Jtg
=^tff-Tt
«- ^asmchertés lar - mes, Et de ton coeur
i*
FE ggg
é- loi-ffuerle.s ii
I r—
Pi*^»
*iM ,'
P ^£ :?=*
#içfc
cresc.
mmpin cresc. ^J *
*j. r ë
\ mm
^és
Ke- ponds a maten-dres - se,
Lis -ten un-to my woo - iny,
P„ cresc.
Ré -ponds à ma ten -(1res - se!
Lis -ten un-to mv woo - in^.
r J- -r^im ^mmlar - mes, Je veux sécher tes lar- mes Je veux sécher tes
72H
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OPERATIC ANTHOLOGYCELEBRATED ARIAS SELECTED FROM
Operas by Old and Modern ComposersEdited by MAX SPICKER
(In 5 volumes: Soprano, Alto, Tenor, Baritone, Bass)
PRICE: Paper, each net $i.5o; Cloth, each net 52.50
These five volumes of the OPERATIC ANTHOLOGY form one of the
most complete and thoroughly representative selections of dramatic airs ever
published. The music comprises arias with their preceding recitatives,
when such exist, including selections from French, Italian and Germancomposers, ancient and modern. The collection also contains airs belonging
to operas little known or difficult and expensive to obtain, and thus puts
into the singer's possession a wealth of unusually interesting material.
Anthology of Sacred SongCELEBRATED ARIAS SELECTED FROM
ORATORIOS BY OLD AND MODERN COMPOSERSEdited by MAX SPICKER
(In 4 volumes: Soprano, Alto, Tenor, Bass)
PRICE: Paper, each net $i.5o; Cloth, each net $2.50
These volumes of SACRED SONG will be found of the greatest value to
singers, especially to soloists of church choirs. The selection they offer
is uncommonly rich, and includes not only a number of the best known
songs, but others less familiar, as well as songs from oratorios difficultto procure in a form adapted to the singer's needs. Songs of rare beauty
have been unearthed from forgotten works of the past, and many havebeen culled from modern works that have not become widely familiar.
Every care has been taken to make the collection a thoroughly practical
one for the use of all singers.
G. SCHIRMER : NEW YORKTHE BOSTON MUSIC CO. : BOSTON