Mon Coeur s'Ouvre a Ta Voix - Saint Saens

7/27/2019 Mon Coeur s'Ouvre a Ta Voix - Saint Saens

http://slidepdf.com/reader/full/mon-coeur-souvre-a-ta-voix-saint-saens 1/10

ANTHOLOGY S

Celebrated HELENROGERS

HARPIST

Arias, Duets, Trios, Quartets, and Quintets

Selected and Edited by Max Spicker

Ritornodi Columella, i. (1839)

298. Stolto è ben. Valse. Sop.

Robert le Diable, f. (1831)

299. Robert, toi que j'aime, f. i.

300. " " " "

301. Va, va, va, dit-elle. f. g. i.

Roberto d'Evereux. i. (1837)

302. All' afflitto. Sop. or Ten.

V. Fioravanti

40

G. MeyerbeerSop. 60

Alto 60

Sop. 75

G. Donizetti

30

Le Roi de Lahore, f. i. (1877) J. Massenet303. C'est le soir. Duet. Sop. and M.-Sop. 60

304. Promesse de mon avenir. Bar. 35

305- " " " " Ten. 35

Le Roi l'a dit. f. (1873)

306. Déjà les hirondelles. DuetM.-Sop. 50

307. Jacquot courant. Duet. Sop. and Ten. 50

L. DelibesSop. and

Roméo et Juliette, f. (1867) Ch. Gounod308. Ah 1 Je veux vivre, f. i. Waltz Song.M.-Sop. 65

309. Angel che adoro. i. Duet. Sop. andTen. 65

310. Non destarmi. i. Valse-Arietta. Sop. 65

311." " " Alto 65

312. Que fais-tu, blanche tourterelle, f. i.

Sop. 50

313. Que fais-tu, blanche tourterelle, f.. i.

M.-Sop. 50

314. Que fais-tu, blanche tourterelle, f. i.

Alto 50

Samson et Dalila. f. (1877) C Saint-Saëns315. Amour! viens aider. Sop. 50

316. " " " M.-Sop. 50317. Mon cœur s'ouvre à ta voix. Sop. 60

,3l£." " " " " " M.-Sop. 60

319. " " " " " " Alto 60

320. Printemps qui commence. Sop. 50

321. " " " M.-Sop. 50

Sapho. f. (185:)

322. O ma lyre immortelle. Sop.

Ch. Gounod75

La Semiramide. i. (1748) C. W. von Gluck323. Vieni que poi sereno. Sop. 25

324. " " " " Alto 25

Si j'étais Roi. f. (1852) A.Adam325. J'ignore son nom. Ten. or Sop. 35

326. " " " Bar. or Alto 35La Sonnambula. i. (1831) V. Bellini

327. Ah ! non credea. i. f. Sop. 30

328. Ah ! non giunge. i. Sop. 50

329. Andante and Allegro (the two preceding) 65

Tannhàuser. g. (1845) R. Wagner330. Allmàcht'ge Jungfrau. (Elizabeth's

Prayer.) Sop. 35331. Allmàcht'ge Jungfrau. M.-Sop. 35332.

" " Alto 35333. Dich theure Halle. Sop. 60

334- " " " M.-Sop. 60

335. O du mein holder Abendstern. Bar. 50336. " " " " " Bass 50

337-"

" " " " Ten. 50La Traviata. i. (1853) G. Verdi338. Dite alla giovine. Sop. 35

Der Trompeter von Sàkkingen. g. (1884)

V. Nessler339. Es hat nicht sollen sein. Ten. or Sop.

340.'

M.-Sop.

341- " ' Bar.

342. " " " " " Bass

Wilhelm von Oranien. g. (1846)

K. A. F. Eckert343. Wenn ich mit Menschen- und mit

Engelzungen. Sop. 50.

344. Wenn ich mit Menschen- und mit

Engelzungen. M.-Sop. 50Die Zauberflbte. g. (1791) W. A. Mozart

345. In diesen heil'gen Hallen. Bass 35346. O Isis und Osiris. Bass 25

Zemire und Azor. g. (1819) L. Spohr347. Rose, wie bist du so reizend. Ten. 35348. " " " " " " Bar. 35

La Zingara. i. f. (1844) M. W. Balfe349. D'Arlina mi rammenti. i. f. g. Bar. 50350. Tu m'ami, ah si ! Bar. 35

50

50

50

50

OH.r by number of the collection only. All numbers are published with English, in addition to the original text ; i. g. f. stand forItahan, German or French text. The numerals in brackets indicate the year when the opera was first performed.

-^tezsiG. SCHIRMER

25

^ NEW YORK 11



2 Mon cœur s'ouvre a ta voix.

(MY HEART AT THY SWEET VOICE.)

Cantabile from "Samson et Dalila."

(MEZZO-SOPRANO))Andantino.

C.SAINT- SAENS.

VOICE. %V\\ j

PIANO.

J 1 JmMou cœur s'ouvre

¥ , s.

J7n iich^n

My heart at

^mA 00

%

M !mJ5

tïTt::::

m m• • • •

P*T7 iê MP. ,P

a ta voixthy sweet voice

com-me souSwift un -folds

vrent les

like a

fleurs .

flow . er

9-0

IW33* î» ï

mm 9~¥mA

m 9-9-0 P-»-»-»

rrr

*$wy J) J) &ux bais -ers.

When the dawn.de l'au-ro - re!

first is show - ing".

wmceci HT3i

espr.

m *£&é

">-- .- b. a

T f

m0»0

mtfcfce

I È £fip Pâis, ô

But oh!

mon bien ai- nié

to stop mv tears

7211 r Copyright, 1889, by G. Schirmer^^Q^ g . P c . \£&RV&£'ht, 1911, by G. Schirmer

BRIGHAM YOUNG UNIVERSITY

,

-— PROVO. UTAH



te i.

^tw crawr.

^W yj mj r rrnir

(1res - se, Ké-ponds a ma ten-dres

woo _ ing", Lis -ten un- to my woo

se!

ing".

Ah!.

Ah_

ver-se

'tis with

g*^§P^ P î i ;wîm •=*

*EM.

cresc

fefcÊ ;=?=feëÊp^: W^f 7

S • •rf//« .

* ^ • d • 1moi

ar

ver- se - moi, li - vres

dor my heart ini - bu

se!

ing"!SAMSOX.

1

*r%~'

? * J* J * f

Da-li - la

#ç£^P^ sri=f

f

s^ J^.î>

•^F ï? 7 *=#=Sj? molto espr

yaprp J2I'

^p

7211



6

wvoit des blés

cross the field

'

j P r.

les e - pis

Zeph - yrs soft -

? fn - au

lv are

±*

mmse le - ge

ffen- tly sway

"*—re.

inff,

7211



rinf. poco animato.

7*11



8

Vl J — >J J» 5spring.

^m %gj

man.

fain Rush

te à

to

1

vo - lor

thy arms

dans tes bras!

at thy sight

papal

5& ^^ ËfeFR TR ¥string.

^S, tp4^ 13 ^^£t #*#"#

cresc.

m ? h j> J? i"{frit.

P> I"> P^ I' •

A vo - 1er dans tes

Rush to thee at thy

bras!,

sight

t^mUn pooo più lento.

^m im BE #H*<» 5*ÂhLAhL

re - ponds,

come list

a

to

*à*

SAMSON.

ma.my_

dot.

ten-dres -

fond woo -

se,

ing,

m*êe f K .

Par mes bai - sers jeveux se

!#^SP^F m à m mKh^

1

^7211



ife^F h p h i r i<fj

pour mieux se- chermes

Thou hast it in thy

pleurs,

pow - er

Que ta voix_

One word more.

k±^mm

WW WW '' '

ffe ^^ ^^ rt«/-

43 ?parle en - co

love, be-stow

re!

ing".

Dis -

To

pjg /mespr.

m i *

tj-^gg:

¥0-0-0

3^ 0-0-09E E P eas

****I$e » m m

&.P P p

I

'

l

'J S

Ï37 *«

*" *mm,

thy

qua Da - li - la

De - li - lah say

tu re - viens pour

Thou re - turnest for

ja -

al -

2*:Sâ= m m m m m

M.M.â.

\1ttt-

4-*-4-4

*f

3^ %%%%p pp

ïïîmtl

» « » » z wz r-w-

W'-w-'-wws*=*s'

m m. m. m. m.

êrinf.

P P Pi

f '

i

J* Smais,

way!

Re - dis

Re - peat

a ma ten - dres - se Les ser -

thy woo- ing" ten - der, All the

m S M.dâ.M.

fcW~m wzFFFf

9ffl>

a«s 55555S

»-»-*-

Sfci»~»~r

7211



4

M

siring.

a

ments

vows

string.

d'au - tre fois,

once more tell;

cresc.

*^ ês ser-meuts que jai -

Those sweetvows loved so

I

H,iiii dHS

* 3=j14 »** i ^-*=-*:

3^33=i^

*~n-«

ibi m é

tt W *^£^ irf r * *

># * *

&^r/ r Unpoco piii lento,

c£ r^w w Bemais!,

well!.

AhL

Ah!.

i*^F^ rTTrllT'

re -

come.

't'gtti^ ^»lfri£

sesgZ£=«3 ;r=F=

* tea

S31, rJ ^ËE t

ponds,

list

a_

to_

nia_

my_

teu - dres

fond woose, Ver

Tis.

se -

with

^ -jjH ' ^ IP# pg^^^^ &Si *

tecresc.

s$e S S ISF» yTH'ZZ

moi,

ar

ver-se - moi.

^^îPÉ

dormy heart.

1'i - vres

- bui

se!

inff!

Réponds a ma ten

Lis-ten un-to my

ï m^ mm i

y^* î^ï rrf

?îW



1*3ss$m m m f4tJ-d

Ver

Tis

se -

with

moi,

ar

ver-se - moi _durinv heart.

*

l'i -

iin -

vres

bu

se!

ing".

Mftv-Jtg

=^tff-Tt

«- âsmchertés lar - mes, Et de ton coeur

i*

FE ggg

é- loi-ffuerle.s ii

I r—

Pi*^»

*iM ,'

P ^£ :?=*

#içfc

cresc.

mmpin cresc. ^J *

*j. r ë

\ mm

^és

Ke- ponds a maten-dres - se,

Lis -ten un-to my woo - iny,

P„ cresc.

Ré -ponds à ma ten -(1res - se!

Lis -ten un-to mv woo - in^.

r J- -rîm ^mmlar - mes, Je veux sécher tes lar- mes Je veux sécher tes

72H



OPERATIC ANTHOLOGYCELEBRATED ARIAS SELECTED FROM

Operas by Old and Modern ComposersEdited by MAX SPICKER

(In 5 volumes: Soprano, Alto, Tenor, Baritone, Bass)

PRICE: Paper, each net $i.5o; Cloth, each net 52.50

These five volumes of the OPERATIC ANTHOLOGY form one of the

most complete and thoroughly representative selections of dramatic airs ever

published. The music comprises arias with their preceding recitatives,

when such exist, including selections from French, Italian and Germancomposers, ancient and modern. The collection also contains airs belonging

to operas little known or difficult and expensive to obtain, and thus puts

into the singer's possession a wealth of unusually interesting material.

Anthology of Sacred SongCELEBRATED ARIAS SELECTED FROM

ORATORIOS BY OLD AND MODERN COMPOSERSEdited by MAX SPICKER

(In 4 volumes: Soprano, Alto, Tenor, Bass)

PRICE: Paper, each net $i.5o; Cloth, each net $2.50

These volumes of SACRED SONG will be found of the greatest value to

singers, especially to soloists of church choirs. The selection they offer

is uncommonly rich, and includes not only a number of the best known

songs, but others less familiar, as well as songs from oratorios difficultto procure in a form adapted to the singer's needs. Songs of rare beauty

have been unearthed from forgotten works of the past, and many havebeen culled from modern works that have not become widely familiar.

Every care has been taken to make the collection a thoroughly practical

one for the use of all singers.

G. SCHIRMER : NEW YORKTHE BOSTON MUSIC CO. : BOSTON

Documents

Mon Coeur s'Ouvre a Ta Voix - Saint Saens