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ÉTUDIANTE EN ARCHITECTUREUNIVERSITÉ LAVAL
LANGUES
FRANÇAIS
Langue
ANGLAIS
Fluide
ESPAGNOL
Niveau avancé
ITALIEN
Niveau débutant
ÉTUDES
Maîtrise en Architecture (En cours)
Université Laval, Québec, Canada
2014/08 - 2016/04
0D°WULVH�HQ�'HVLJQ�8UEDLQ�HHFWX«�DX�*5$3Université Laval, Québec, Canada
2015/08 - 2017/04
%DFFDODXU«DW�HQ�$GPLQLVWUDWLRQ�GHV�$DLUHVUniversité Laval, Québec, Canada
2011/01– 2011/04
Diplôme Préuniversitaire en Sciences de la Nature
CÉGEP Francois-Xavier Garneau, Québec, Canada
2008/08 – 2010/12
Programme de Mobilité Internationale du Baccalauréat en Architecture
Universidad Ceu San Pablo , Madrid, Spain
2013/08 – 2014/06
Baccalauréat en Architecture
Université Laval, Québec, Canada
2011/08 – 2014/06
Non-diplômé. Études faites dans le but d’acquérir les connaissances en gestion et en marketing
qui me seront nécessaires au cours de ma future carrière dans un bureau d’architecture.
Voyage Art Sociologie PeintureApprentissage de
langues
INTÉRÊTS CONNEXES
Photographie
Formation Autodesk BPAC
Cours de Design GraphIque
Cours de Dessins
Peinture acrylique
Aquarelle
Dessin au graphite et au fusain
Dessin de graphique
Représentation de dessins
architecturaux à la main
Formations et Cours
Design de Bâtiment
Design Urbain Design de Meuble
CHAMP DE COMPÉTENCE
CARTE DU MONDE
Bureau en Gros Lebourgneuf
565 Boulevard Lebourgneuf, Québec, QC G2J 1R9
2009/06 - 2013/09
Restaurant le Café du Monde
84 Rue Dalhousie, Québec, QC G1K 8M5
2014/07 - 2015/01
EXPÉRIENCES DE TRAVAIL
MES INFORMATIONS
4316 rue René-Chaloult,
Québec, Qc, G2B5C4
Canada
+1 418 847 7746
Skype ID: myriamrodrigue1
Autodesk Revit
Autocad
SketchUp
SU Podium
Illustrator
Indesign
Ecotech
Vasari
Apprentissage en cours
Windtunnel
Logiciel
Photoshop
Suite Microsoft
Analyse / Calcul/Diminution
de la consommation
énergétique d’un bâtiment
Architecture de
lumière
Design graphique
CONNAISSANCES ET FORMATIONS
SUJET DE RECHERCHE LORS DE LA MAÎTRISE EN DESIGN URBAIN AVEC LE GRAP
4XHOV�VRQW�OHV�HHWV�GH�OD�SU«VHQFH��GH�OD�ORFDOLVDWLRQ��GH�OD�VWUXFWXUH��GH�OD�TXDOLW«��HW�GH�l’accessibilité des espaces publics sur la structure et les préjugés sociaux d’une société, et
FRPPHQW��FRUROODLUHPHQW��OD�VWUXFWXUH�HW�OHV�SU«MXJ«V�VRFLDX[�LQȵXHQFHQW�OD�IRUPH�XUEDLQH"
www.myriamrodrigue.wix.com/portfolio
Peinture
ABLE OF CONTENT
EXTERIOR INSTALLATION
ABSTRACT PROJECTS
COMMON DWELLINGS
FURNITURE
BUILDING COMPONENTS
COMMERCIAL PROJECT
COMMERCIAL PROJECT
URBAN DESIGN PROJECT
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1
������������ȱ��ȱ���ȱ�������ȱ����ǰȱ�������ȱ���ȱ�����ę����ǰȱ��ȱ�����ȱ���������ȱ��ȱ���ȱ�����ǯ
��ȱ���������
����ȱ��ȱ����ǯ Ludwig Mies Van der Rohe
21
����ȱ��ȱ����ǯ Ludwig Mies Van der Rohe
ȱ ȍ�������Ȏȱ��ȱ�ȱ��������ȱ�������ȱ��ȱ�ȱ ���ǯȱ��ȱ�����������ȱ���ȱ���-�����ȱ���������ȱ��ȱ��������ȱ���ȱ����£�����ȱ��������ȱ ������ȱ�������ȱ ��ȱ����ȱ���ȱ ����ȱ������ȱ��ȱ�Ĵ�����ȱ������ǯȱ�����ȱ�������������ȱ������ȱ����ȱ����ȱ��ȱ��������ȱ��ȱ�����ȱ��ȱ������ȱ����ȱ��������ȱ��ȱ ����ȱ����ȱ������ȱ������ȱ�����ȱ������������ȱ���ȱ��ȱ����ǯȱ�����ȱ�������������ȱ������ȱ���ȱ ��Ĵ��ȱ��ȱ�ȱ�����ȱ ���ȱ��������ȱ��� ���ȱ� �ȱ��¢���ȱ��ȱ��-������ȱ ������ǯȱ��������ǰȱ ���ȱ �����ȱ ���ȱ ��������ȱ ���ȱ �������ȱ ����ȱ ���ȱ ���ȱ���ȱ���ȱ����ǯȱ���ȱ������ȱ ���ȱ����ȱ��ȱ�����ȱ�������ȱ��ȱ���ȱ������-�����¢ǯȱ���¢ȱ ���ȱ�������ȱ ����ȱ��ȱ������ȱ�����ȱ���ȱ��ȱ��������ȱ ���ȱ���ȱ�����ȱ �������ǯ
������ȱ��ȱ���ȱ ���ȱ���ȱ������������ȱ��ȱ���������ȱ���ȱ�����ǯ
������������DZ
«Whisper»
TRANSPARENCYTRANSPARENCY
3
43
5
1 2 3m
Longitudinal Section
The Portal Before
After
65
1 2 3m
1 2 3m
1 2 3m1 2 3m
Transversal Section
Transversal Section
Exterior Elevation
Creation is a project of an exterior portal for the architecture school of «Université Laval». In addition to making the main entry of the building more visible, this portal provides a bridge between past and modernity. Creation recalls the folded papers used by the students to make models.
CREATION
Contribution: Contribution to the design of the portal, 3d modelisation on SketchUp , renders, et participation to the production of the technical drawings.
7
A staircase designed after reading The Poetics of Space of Bachelard
87
9
Between Wind and Tides
109
ȍ��� ���ȱ����ȱ���ȱ�����Ȏȱ��ȱ�ȱ�������ȱ��ȱ�¡������ȱ�������������ȱ��ȱ���ȱ�����ȱ��ȱ���ȱ�·���ȱǯȱ����ȱ�������¢ȱ�������ȱ���ȱ����£��ȱ��ȱ�·���ȱ��ȱ������ȱ�������ȱ ���ȱ���ȱ�����ȱ����ȱ������ȱ��ȱ��ȱ��������ǯȱ���ȱ�������ȱ�������ȱ��ȱ���ȱ��������ȱ�����ȱ������ȱ������ȱ���ȱ���ȱ����£��ȱ��ȱ���ȱ���ȱ����¢ȱ���ȱ������¢ǯȱ���ȱ�������ȱ ���ȱ������ȱ��ȱ���ȱ����ȱrate as the tides due to retention �����ǯ
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Plan of the ground floor
Firstly, to create a strong link between the interior and the exterior, some cavities filled with pebbles and closed with glass have been embed in the floor. Thus, the pebbles found in the dwelling seem to continue on the terraces.Secondly, the plants found inside the residences amplify the relation between outside and inside and create particular atmospheres. They can be found in cavities embed in the floor, and also some seem to fall from the ceiling in the living areas. In fact, the plants seeming to fall from the ceiling are vines planted in fake kitchen cabinets and they run along a fine mesh placed inside a «glass box». Those «glass boxes» are closed at each end with windows that can be opened to prevent accumulation of humidity in the cavities.
«Vegetal Invasion» is a project of common dwellings in Saint-Roch neighboorhood. The aim of this project was to design quality spaces in relation with nature for the users of these 4 dwellings, so that they can disconnect with the reality of this urban district.
A building offering quality spaces
Spaces in relation with nature
Providing naturally lighted rooms was of great importance in the design of this building. To do so, terraces are located on the south side of the building to allow the installations of windows on this side while meeting fire standards of this area. The width of the terraces has been calculated in order to let enter the right amount of sun in each dwelling. For the same reason, some openings have been made in the floor.
Plan of level 1
Plan of level 2
1211
Firstly, to create a strong link between the interior and the exterior, some cavities filled with pebbles and closed with glass have been embed in the floor. Thus, the pebbles found in the dwelling seem to continue on the terraces.Secondly, the plants found inside the residences amplify the relation between outside and inside and create particular atmospheres. They can be found in cavities embed in the floor, and also some seem to fall from the ceiling in the living areas. In fact, the plants seeming to fall from the ceiling are vines planted in fake kitchen cabinets and they run along a fine mesh placed inside a «glass box». Those «glass boxes» are closed at each end with windows that can be opened to prevent accumulation of humidity in the cavities.
Contribution: Contribution of the conception and design of the project Renders, photomontage, Model
VEGETAL INVASIONProject of common dwellings
by Myriam Rodrigue and Andrea Aube
Roof planThe relation of the building with its surroundings
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North Facade
Section
West Facade
Site plan
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North Facade
Section
West Facade
Site plan
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The Promenade
The project of «The Promenade» is a project of a house for the owner of a winery and a house for the workers of the winery. (Although , only the house of the owner needed to be design.) The project has been divided in two parts: the analysis of the site (a vineyard in Haro, La Rioja in Spain) and the conceptionof the house
But, first, I invite you to watch a video that I have prepared to present this project. You can see it at the following address: https://www.media-fire.com/?x5ad7j5c6lsqg2a
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«The Promenade» is a project situated in the town of Haro in La Rioja in Spain. It is famous for its wine production. A large amount of tourists visit its wineries every year. The most famous are the one designed by Zara Hadid and Frank Gehry.
A river embraces the 100 hectares site in which amazing can be seen. Thus, through a site analysis, it has been noted that the river surrounding the site separating physi-cally the cities of Haro, Brinas and labasti-da. To create a link between those 3 cities, a solution has been found: «The Prome-nade».
«The Promenade» is a pedestrian and cycle path linking the cities together with its 2 new bridges. With its incredible views and its exterior installations (sitting areas, observation points, eating areas), it offers an experience to its users. The users can also enjoy a gastronomic experience in the wine tasting room along their journey. This room is situated in the same building as the dwelling of the owner and the workers.
The site
The Promenade
The surroundings
Site analysis
The Promenade - The HouseOn the Promenade, we can find a building following the topography containing a public wine tasting room, a house for the workers of the winery and the house of the farmer. Its 3 levels can be explained by the necessity to have 3 distinct levels of privacy for each of the 3 functions found in the building. By putting them altogether, they can all have a link to the promenade, but also with the other people using the building, that’s why it is possible to go from one level to the other by crossing the inconspicuous staircases of the terraces. By being places behind low stonewalls, the stairs are barely noticeable to keep the users hidden from the eyes of the passers. Each parts of the building have a south (facing the promenade) and north terrace. In the house, these terraces end up in a center common space containing the living room, the dining room and the kitchen, where it is possible to sit next to the counter, taste wine and stare at the owner wine collection exposed on the walls of the house. The presence of two terraces at each end of the central space of the house brings the outside inside the house. But this immersion in the landscape is even more enhanced by the presence of glass on the upper part of the walls. It allows us to feel the topography of the mountain where the building is situated. This union of the exterior and the interior was emphasized through the use of natural materials like wood inside and by pursuing this materiality outside.
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19
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Model of one hectare of the field
Box containing the final project
Final proposal
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THE DESCENTThe mandate of this project was to design a hotel, a parking and a funicular on a field situated next to a cliff in the lower part of Lévis city.In the old days, the lower part of Lévis City was one of the biggest centers of economic activities in the entire province due to its location along the river St-Laurent. But, due to the construction of bridges linking the two shores, the construction of highways and the invention of the car, the population has moved on the other shore or near major highways. Thus, the lower part of Lévis City has been abandoned and it has caused several fires in this area. Nowadays, the lower part of Lévis City is almost deserted.
However, each year 5.4 million people take the ferry between Quebec and Lévis to admire Quebec from the river . But, due to lack of interest of the lower part of Lévis , visitors do not get out of the ferry; they immediately go back to Quebec. The city of Lévis is planning a redeveloppement of this area in order to benefit from the economic spinoffs of Quebec’s tourism. The city of Lévis redevelops the lower part with the hope of bringing the tourists in upper part of Lévis is charming and lively , but unknown by tourists. The connection between the upper part and the lower part of Lévis is also one of the issues that was highlighted during the 5 years research conducted by the city. It is for this reason that the Lévis wants to build a funicular. In this new redevelopment , the Lévis build many shops, restaurants and a public promenade along the river. They also want to build a hotel for the visitors. The architect of the city came to see us to have some ideas for the project og f the hotel, the funicular and the parkings.
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THE DESCENT
Level 11
Level 10
Level 9
Level 8
Level 7
20m0 10
Site plan
“The Descent” is way more than only an hotel, a parking and a funicular. In addition to the two oblique elevators of the building, the building itself offers a vertical link between the upper and the lower part of Lévis city. In fact, the public can circulate freely on the public promenade created by the roofs of the hotel. With a play of level, it has been possible to create a public promenade , separated from the circulations of the hotel, that never violate the intimacy of the occupants of the hotel since the passers never circulate in front of a bedroom window. It has been possible because the rooms are weither situated before the promenade (facing the river), on the sides of the building, or facing the cliff. (see Plan Level 9)
Along their journey, the passers can reach every two levels a public outdoor space communi-cating with an inside public space of the hotel. Those inside spaces can accommodate various func-tions or events ( ex.: meetings ) . Guests of the hotel can, if they wish, access these outdoor public spaces using their magne-tic card.
The roof promenade will become an attraction because it will offer a special experience to the passers and to the customers of the hotel.
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Level 6
Level 5
Level 4 - 1:100020m0 10
20m0 10
Section 1:2000
North Elevation West ElevationSouth Elevation
Room service
40m0 20
The restaurant The restaurant is used by the public and by the customers of the hotel. It is situated on the ground floor of the hotel and provides an access to the parking located at the rear of the hotel.
The publicly available oblique elevatorThe elevator further south is publicly available from the parking lot and from the base-ment of the hotel. In the middle of the ground floor at the entry of the hotel, there is a large public staircase leading to the basement of the hotel. This passage allows the public can move freely without disturbing the customers of the hotel. (If needed, the hotel can close glass walls between the lobby and the restaurant to restrict its access to the public. This elevator leads to the top of the cliff, but also to the public spaces (internal and external) of the promenade.
The elevator for the customers of the hotel It is the elevator further south of the hotel. It is accessible from the ground floor and leads to the upper part of Lévis and to the rooms.
Some elements of the hotel
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Lev
el 0
,5
Gr
ou
nd
Flo
or
Lev
el 1
Level 3
Level 2
Level 1
Ground floor 1:1000
20m0 10
40m0 20Section 1:2000
Coupe d’une chambre côté est1:100
Coupe d’une chambre côté es1:100t
View from a room type 3
The Different Room TypesRoom Type 1They are situated before the promenade. They are on 2 floors and offer incredible views of the river. In the other hand, from the hallway leading to these rooms, the customers have views on the promenade and on the exterior public spaces.
Room type 2They are situated on the sides of the hotel and are only on one floor. Due to their geometry, they also offer view of the river. They are less expensive than the Rooms Type 1.
Room type 3 These 2 floor rooms are situated at the rear of the hotel. They offer a different experience than the other types of rooms. In each room, a full height window faces the cliff at the back of the room. The rock of the cliff can be seen from the bedroom and from the shower. It creates a special, but pleasant atmosphere in the rooms.
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Graphic Design
1
Torre de BarredaTorre de Barreda
Torre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de Barreda
Torre de BarredaTorre de BarredaTorre de Barreda
Torre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de Barreda
Torre de BarredaTorre de BarredaTorre de BarredaTorre de Barreda
Torre de BarredaTorre de Barreda
Torre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de BarredaTorre de Barreda
Syrah
Torre de BarredaTempranillo
Torres de BarreraAmigos
Designing wine Labels for The Torre de Barreda WInery Owner
2
MADRID
MADRID
MADRID
Paseo del Prado, 36, 28014 MadridEspaña
Tel.: 91 330 73 00Fax: 91 330 73 30
8 de Mayo 2014
Dear M. Smith,
SIncerely,
Myriam Rodrigue
53_Rodrigue_Myriam
Cras a nisi id arcu tincidunt vestibulum vel ut sapien. Proin sit amet felis sit amet est iaculis interdum. Maecenas dolor sem, sollicitudin vitae euismod sed, hendrerit sit amet ligula. Donec at purus interdum, tincidunt erat eget, tristique lectus. Proin et luctus nunc, nec tincidunt elit. Ut in nisl ullamcorper ipsum auctor venenatis. Curabitur ut urna odio. Integer venenatis purus nisi, id lacinia nunc varius eget. Donec pellentesque malesuada feugiat. Class aptent taciti sociosqu ad litora torquent per conubia nostra, per inceptos himenaeos. Sed facilisis mattis urna volutpat rhoncus. Nulla a leo nibh. In sollicitudin augue vel orci consequat, id consequat quam vehicula. Cras aliquam tempus dui, sed aliquam sem blandit vitae. Suspendisse faucibus aliquet lorem eu egestas. Praesent mauris turpis, sollicitudin at facilisis non, convallis eu nibh. Cras orci quam, condimentum quis augue at, feugiat eleifend massa. Sed ac nunc cursus risus.
Vivamus eu vehicula lectus. Nullam mollis varius leo, quis pulvinar nisi elementum ut. Pellentesque hendrerit, mauris id elementum gravida, elit leo porttitor urna, id ullamcorper velit leo eget est. Etiam non justo quis arcu ultricies condimentum sodales ut lectus. imagna.
DIRECTOR DE COMUNICACIÓN
MADRID
MADRIDPaseo del Prado, 36, 28014 MadridEspañaTel.: 91 330 73 00Fax: 91 330 73 30
Director de comunicaciónMYRIAM RODRIGUE
Paseo del Prado, 36, 28014 MadridEspañaTel.: 91 330 73 00Fax: 91 330 73 30
MADRID
MADRID
DIRECTOR DE COMUNICACIÓN
Paseo del Prado, 36, 28014 MadridEspañaTel.: 91 330 73 00Fax: 91 330 73 30
MADRID
DIRECTOR DE COMUNICACIÓN
Paseo del Prado, 36, 28014 MadridEspañaTel.: 91 330 73 00Fax: 91 330 73 30
MADRID
MYRIAM RODRIGUE
Building a Corporate Identity for the Caixa Forum Museum of Madrid
32
4
Designing Promotional Exposition Posters for the Caixa Forum Museum
54
6
La v
angu
ardi
a ap
lica
da
76
8
98
1010
Drawings and
Paintings
111010
12
1312
14
1514
16
1716
18
1918
20
2120
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Theme of this section: The Movement
2322
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2524
26
Theme of this section: Geometric Paintings and Drawings
2726
28
Theme of this section: Abstract Paintings and Drawings
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Digital Art Made From Pictures of el Instituto del Patrimonio Culturo de España
3130
Digital Art Made From Pictures of el Instituto del Patrimonio Culturo de España
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